An animated mudra flashed across an otherwise staid gallery sign for the exhibition “Masterworks of Himalayan Art,” which featured pieces from the Rubin Museum’s permanent collection, spanning over a thousand years of history. The floating hand appeared as if it had been digitally lifted from a two-dimensional painting, before it cross-transitioned into a neon outline mimicking the same gesture.
Art Asia Pacific Review of The Scorpion Gesture/Face of the Future, 2018
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Jillian Steinauer, Her Garden, a Mirror review, New York Times, October 2018
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